I'm reading a book called, Letting Go of The Camera, by Brooks Jensen. The book is a series of essays by the editor of LensWorks. One of the many great essays in the book talks about the time that Jensen, who had used a 4x5 inch, film, view camera exclusively for over 20 years, finally bought a 35mm type digital camera. He describes the incredible sense of freedom and visual agility he instantly gained because he no longer was constrained to shooting carefully constructed images, on a tripod, requiring long set up times and motionless subjects. The transition helped him to realize that we all tend to be limited by the boundaries imposed by our habits. It's an example of the old saw that goes, "If all you have is a hammer everything starts to look like a nail."
The main point of his essay is that working with the same tools all the time trains you to find subjects and ways of shooting that convenience or leverage the strengths of the camera and not your unique vision. Another essay talks about the difference between reprising your greatest hits over and over again or finishing with a creative vein of work and moving on to another, different way of seeing. There are photographers who have early "hits" and the approval of their fans, coupled with their basic insecurities, conspire to manipulate the photographer into basically doing the same kind of (popular) images over and over again. It's what their current audience expects and the act of disappointing the people who validate their vision is too frightening to consider for some. Their growth as artists comes to a halt.
But the great artists need to keep moving forward---like sharks---or they stop being creative and become greatest hit xerox machines. I think it's instructive for people to move outside their creative comfort zones as often as possible. Jensen mentions Joni Mitchell and John Paul Caponigro as examples of two artists who are constantly re-inventing their art and their subject matter. And he writes about their constant artistic growth. The very act of looking at something through different frames may unleash a wonderful new way of seeing and sharing. And the very act of casting your vision onto a totally new subject matter can change everything.
In my career I've experimented with everything from 8x10 inch view cameras to Pen F half frame film cameras. Every time I pick up a new camera it seems to change the way I approach my photography. The acceptance of new boundaries keeps my eye and my art fresher.
I was perplexed recently when a very good friend who is also a very good photographer told me that my work looks the same to him no matter what camera I use. We discussed it and what we came up with is that when your work resonates across formats you've hit your innate style. Style seems separate from curiosity or vision or creativity. Style feels more like how you put your pants on in the morning or how you tie your shoes. It only speaks to how your mind and eyes see ingest the subjects that interest you, not in the way that the a particular camera helps to shape the way you share them.
I suggest changing cameras. I like to change cameras. Actually, that's an understatement. Most VSL readers would say I change cameras as often as most people change air conditioning filters. That may be so but it keeps me interested because it makes me work in different ways. And then I can always brag about my real achievement as a photographer===I've figured out the nuances of the Olympus menu.